Maison Murphys began as a modest 1950s ranch — and an instinct to preserve its optimism while reshaping its form.
We approached it as sequence, not square footage.
Contrast instead of excess.
Color as story.
Curves as punctuation.
Over two years, we rebuilt it largely by hand — shaping millwork and reworking details until the house felt whole.
What stands now is a translation of mid-century optimism into contemporary form.
A belief that joy can be structural.
ANTOINE + YAKI
kinrro.com
We approached it as sequence, not square footage.
Contrast instead of excess.
Color as story.
Curves as punctuation.
Over two years, we rebuilt it largely by hand — shaping millwork and reworking details until the house felt whole.
What stands now is a translation of mid-century optimism into contemporary form.
A belief that joy can be structural.
ANTOINE + YAKI
kinrro.com
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Drop us a line.
Thank you!